Category Archives: Nikon

After the Match I’m Better

DSC_5056-2I very briefly shot women’s soccer a few years back. I wasn’t very good at it. I don’t think anyone noticed. Certainly nobody complained. But after the league’s inaugural match here in Los Angeles there was a short euphoric moment when fans and the press gathered near the tunnel and got to get up close with some of the truly greatest women’s soccer players in the world, including the consensus greatest player of them all, the Brazilian marvel known simply as Marta, pictured above and in the last two shots.

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Larva in (re)Pose

This young lady should teach workshops to models on the art of posing. Yes. Larva is her name. Click on the ‘Nudes’ categories link beside the title for more of her astounding work. Mine? Meh. ;-)

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Going Down

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On an escalator, that is, at the Century City Mall. This was taken with a Nikon D700 and the legendary 85mm 1.4 Nikkor D.

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And as usual, someone watching me…

Those are William Klein’s words, not mine. He says them in his amazing contact sheet film you can see a significant portion of  at the end of my post today. Everyone with an interest in photography should watch it and should look on YouTube for other contact sheet discussions by photographers like Sebastião Salgado and Josef Koudelka.

I’m going to be engaging in somewhat of an image dumping here on 50lux.com. The goal of which is to run through and get posted as much of my street photography, or actually the photography that I’ve done already. The reason being is that I don’t want it on my mind as something to fall back on or as unfinished business.

I would hope that by the end of the year I’ve got nothing to show but new stuff, all shot with the only gear I have, Leica cameras and lenses. So pretty much what you’re going to be seeing a lot of for the next few months is Nikon photography. And believe me, in the great scheme of things, Nikon equipment has been fantastically adequate to the task of capturing my vision and what I’ve wanted to capture.

The vast majority of the images I’m going to post represent the basic recurring themes of my street photography. Low angle street portraits. Images that capture something that’s going on behind the eyes and shows through on the faces of those who are photographed.

As always, thank you for looking.

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Minimalist Mondays : Voyeurism

I’ve probably posted this shot already, but I consider it to be one of the best and certainly favorite images I’ve ever taken. Minimalism requires the subject taking up a small percentage of the overall image and a concentration on the arrangement of graphic background elements.

The woman caught here through an opening in the walls and structures of the outside of a massive shopping mall in Los Angeles is a voyeuristic presentation of a woman swallowed up in a man-made environment but nonetheless still the obvious subject which the eye is drawn to and the dominant figure in the midst of the graphic ground in the image.

E.T.A. More regarding the concept of voyeurism in artistic photography. Great book I highly recommend called Train Your Gaze: A Practical and Theoretical Introduction to Portrait Photography by Roswell Angier. Almost by anyone’s definition this is not a book on portrait photography. It is all about analysis of edgy contemporary art photography as well as some of the classic but nevertheless equally edgy in their time 20th century photographers.

Here’s a quote on voyeurism.

The basic condition of the voyeuristic scenario is distance, an essential separation between seer and seen. Despite this distance, which is by definition unbridgeable, despite the unrequitable nature of the desire that drives it, the voyeur’s gaze is a privileged one.

The chapter on voyeurism in photography begins with a quote by Walker Evans, certainly an idol of mine and countless other photographers.

“Stare. It is the way to educate your eye, and more. Stare, pry, listen, eavesdrop. Die knowing something. You are not here long.”

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Announcing a short hiatus…

Hi folks… I just wanted to let everyone know that there probably won’t be any updates to this blog for a week or two. I’m coming off my best friend’s funeral on Saturday and posting pictures and talking about them just doesn’t feel quite right at this time.

Plus I have some major catching up to do and ratcheting up of my coverage of the WNBA as we head into the final weeks of the season. Once again I’ve been tasked and honored with the responsibility of voting for the league’s host of post season awards, MVP, Coach of the Year, Rookie of the Year, All-WNBA teams, etc. It’s a heck of a responsibility because the great athletes of the WNBA deserve nothing less than a total research effort by all of the 40 or so sports journalists who have the privilege of casting a vote for these awards.

I’d like to leave up on 50lux.com in the interim some flower pictures I took a long long time ago with a D70 and the 50 f1.8 Nikkor, the $100 dynamo that does some great macro on a DX sensor.

These flowers are for my friend Sheri, who is now at her final resting place. I wish we lived in a world where no one ever had to type or even think those words. But I know I’m not alone and it seems appropriate to post this message on the anniversary when so many people lost love ones.

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Cheerleaders: A Love Story

When I first started shooting women’s basketball, the instructions from my boss at the publication were to not just bring back action shots from the floor, but shots of fans, cheerleaders, the band, etc. Everything and anything that would capture the atmosphere in the arena.

But he made it pretty clear that what he really wanted was cheerleader shots. That should be perfectly understandable; it’s an online publication, he needs traffic just as much as any other online publication does. And pretty girls equal heavy traffic.

No better place on Earth than to fulfill our need for click bait than the campus of USC, where the cheerleaders are icons of youth, beauty, energy, and style. I’ve seen a lot of cheerleaders, but USC’s “Song Girls” (that’s right, they don’t even call them cheerleaders) are in a class all their own.

But these fabulous ladies strut their stuff at Rose Bowl games played on New Years Day which decide the national championship of college football. (Or they did back then, anyway.) There can’t be any question that sitting on the baseline during sparsely attended women’s basketball games would be on the other end of the spectrum for the Song Girls in terms of the excitement and exposure they enjoy as USC’s finest.

So, in that first season, when a pasty middle-aged male pointed his long lens in their direction as they dutifully performed their Song Girl responsibilities at women’s basketball games, more than once I came away with looks like this.

Beautiful, yes. But I pride myself on being able to read people’s faces and maybe, hopefully, photograph what they might be feeling or thinking at the instant I trip the shutter. This was not good.

Where’s the famous USC ‘V’ for Victory sign? This seems to be teetering dangerously into ‘Hit the Road Jack’ territory and I’m just glad the razor thin depth of field on this shot only captured the scornful glare of Song Girl number one. I don’t know that my ego could have survived all three of them giving me that look.

Okay, I’ve had my fun with this shot. It was just an instant, it wasn’t planned, I know that. But I don’t think the looks being given to me here are at all misleading. After all, I was there before and after this shot was taken. I kind of know.

But I persevered, as a man with a camera is sometimes known to do. I continued to work the baselines of USC and other schools and accumulated my share of pretty good cheerleader shots to go along with hundreds of, I hope, pretty good basketball shots.

It was probably in the third season when I had prints made of some digital images and, just to see how colors in these lighting environments transferred to print, I threw in to the order a handful of the better cheerleader shots.

Well, I really liked the way the cheerleader shots looked from USC. The lighting in the Galen Center is fantastic. Colors were gorgeous, the subjects were stunning.

And far from the somewhat violated look I got from the ladies in the image above, the Song Girls had gotten used to me and went about their business and I went about mine. The images I took of cheerleaders became very good.

So I decided that I should share the prints of the images I took of them with USC’s Song Girls. I put about a half dozen in an envelope, including the image at the very top and the two below, and, I think, it was at halftime one afternoon that I handed them off to the sports information director for women’s sports at USC, who shall remain nameless because she’s a wonderful lady and we subsequently become pals and I don’t want to drag her into any of this.

At that point, however, she really didn’t know me and when I said I had some cheerleader shots that I really liked she kind of gave me a look and muttered something about not being interested in pictures of cheerleaders. But I handed her the envelope anyway and asked her to pass them along to whomever is in charge of the Song Girls.

Never heard another word about my cheerleading pictures. As I said, the SID and I became pals as I continued to shoot USC basketball for the next couple of years. USC even presented one of my shots, blown up large, to a graduating senior. That was a tremendous honor. The SID told me once to keep doing what I was doing, calling it a ‘fine art’ style of baseline shooting. Oh yes, that SID was a pal o’ mine.

But here’s the punch line. Starting maybe the next season, and for the rest of my two or so years shooting USC, I literally could not point my camera at the USC cheerleaders (or majorettes even) without finding them already looking at me. Smiling broadly. I would notice them looking at me as I sat there doing absolutely nothing. It was all so obvious. I told my significant other about it, she agreed it was happening and we would laugh about it.

The USC Song Girls were now very willing subjects for me. Too willing. It was hard to get the spontaneity, the far off looks in someone’s eyes that you only get in truly candid moments. It was no longer sports journalism; it was something else, and the pictures were never quite the same.

And, of course, I LOVED every minute of it.

Anyway. That’s my story and I’m sticking to it, as my mom used to say. And I’m not going to be humble regarding the images. I think these shots are almost iconically wonderful images of the USC Song Girls, caught candidly doing what they so cheerfully do for the University of Southern California.

Hope you like them as much as the subjects seemed to.

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How to take a pretty nice portrait in really bad artificial light…

You can start with a high ISO monster camera like the Nikon D3 and a great pro-zoom like the 24-70 Nikkor 2.8. But I’m sorry, that’s not going to get it done in light as as bad as this was. Color falls apart even on the D3 at a certain point in the higher ISO ranges and especially in gross fluorescents like we see here .

The 2.8 is a help of course. There again, however, and I’m sorry for the equipment-fail negativism, but I think even that great lens has to be stopped down a little bit to be as good as it should be.

What to do?

Well, you have to do things the old fashioned way. Long shutter speed, in this case i believe it was 1/15th of a second, and instructions for everyone to be as still as they possibly can. Just like 150 years ago.

Of course, with a flat Leica rangefinder pancaked against your face, 1/15th of a second is like your comfort zone. lol. No problem on your end, ever.

But with a D3 and THAT monstrosity of a pro-zoom, with all that heavy glass, sticking out 8 inches in front of the camera, huh, just try it. That’s why this picture stands out in my mind as a minor accomplishment.

And don’t forget the instant-after shots when everyone relaxes. Have to have those.

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