From The Park Plaza’s Wikipedia page:
Though the neighborhood has gone through a period of urban decay and now urban renewal, the building, replete with angels at every corner, has lost none of its ethereal beauty and elan, making it truly one of the classic examples of Claude Beelman’s architecture left standing in the modern world. The building is now vacant, mainly used as a rental for movie shoots and special events, however, the City of Los Angeles thought the architecture significantly important enough to warrant a City of Los Angeles Cultural Affairs Department Historic-Cultural Monument No. 267, as far back as the early 1980s. This is significant in that many other Wilshire Boulevard area landmarks fell prey to the wrecking ball during that time period, such as the notable Brown Derby. Luckily, despite the demolition of important landmarks all around it, the grand entrance and ballroom of the Elk’s No. 99 / Park Plaza building still bears its old “jazz age” grandeur, much to the relief of Los Angeles architectural aficionados. The elaborate interior murals and decorative paintings were designed and executed by Anthony Heinsbergen and Co, noted painter of many Los Angeles cultural landmarks. The central design of the lobby ceiling is based on the Villa Madama, a Renaissance era project by Raphael and Giulio Romano.
Not our upstairs, mind you. We don’t have an upstairs. We have Leica GEAR! 😉 Our friends are very proud of all the work they’ve done. Their home is about a half mile from the Pacific Ocean, which you can see from their back porch and even better from their roof. So that light is the real deal. These were taken in a rush as we were given a quick tour on the 4th of July. I’d like to have a couple of hours down there shooting the great detail work with all that light and the great Leica and Zeiss glass I’m lucky enough to own. Instead of an upstairs. 😉