A life-long dedicated Nikon man, I bought my first Nikon digital camera back in the very late 90s. That was the very cool indeed and twisty Coolpix 950.
When the D70 hit the camera world like a cyclone in 2004, I got my first Nikon DSLR, along with a gazillion other people. From there I got a D2Hs to shoot sports. Not my favorite camera in the world, I replaced it with a pair of D80s. The D80, with its D2x-lite sensor, was and still is one of my favorite cameras ever.
But once you get used to a pro body in your hand, you can never really be happy with a consumer-grade camera again especially when you’re using your gear in pro-settings and putting it all through the wear and tear of celebrity rope lines or basketball baselines.
So when the D3 came into existence, the first full-frame digital Nikon, I got one of those. Soon I backed it up with a D200 and then I added the D3’s little brother, the D700.
Wow. I’m losing track. That’s a lot of cameras. I know some of you have me beat by a mile, too. You know who you are. 😉
I threw in a Lumix LX3, a kicky little gem that set the standard for point and shoot cameras for more years than it should have.
Then… I bought a Leica M9. The first full frame Leica M camera was mine. I shot the M9 for a solid year. 24k shutter trips. It was a love/hate relationship. ‘Nuff said.
They’re now all gone. Every one of them.
The only digital camera I currently own is the Fuji X100. And I love it.
Here is what I love about it. It is the only small sensor point and shoot camera that I know of that allows for actually narrow depth of field / wide aperture shooting with good bokeh and out of focus areas.
This really hasn’t been something doable much on point and shoot cameras do to the inherent small size of the sensors.
But the Fuji X100 does something else with that capability that’s even more remarkable.
I allows you to SEE that narrow depth of field and out of focus look, exactly what you’re getting, on the LCD before you shoot.
And we’re not talking about the barely usable Nikon version of Live View. This is a standard point and shoot LCD, but with the added joy of showing you, instead of you having to imagine, what your narrow depth of field image is going to look like.
Can you imagine what this feature would be like on a Leica M, working with THAT glass?
It’s a wonderful advancement. I know some other camera systems now provide it but this is the first that I’ve owned and it has to be one of the smallest cameras that gives you this capability. But this isn’t a blog that is even remotely about keeping up with the latest gear. I’m happily out of the loop on much of the latest gear and what it all does.
Do I shoot the X100 a lot? No. I wouldn’t say I do. The reason I don’t is because I’m in love with shooting film and I shoot my Leica M7 a lot. But this camera is a keeper for a guy like me.
I even use it at the Staples Center in Los Angeles to grab shots for my sports coverage articles. Yes, you can even manage a couple of passable sports action shots with this camera.
High ISO capability is better, in some ways, than the D3/D700 sensor. I think the x100 files retain good color integrity further up in the ISO range than those two Nikon pro cameras do.
Anyway. From the outset I found the X100 to be a fantastic addition to my own personal photography. Mostly all of the images here in this post were taken last November, the first month I got my hands on the Fuji. Hope you enjoy them. They’re a little ‘creative.’ (insert wink here)