Slivers of Quirk and Light

There is a fairly famous street/fine art photographer whose style is images with mostly shadow area and only sunlight to illuminate his subject’s profound humanity as displayed on their faces. His name escapes me as I write this but I think he would certainly qualify as a king in the world of those who stalk the light.

I didn’t know about his work over the many years when I would employ a similar solution to the difficult light here in the city of Los Angeles. The profundity of it all only became apparent to me after the fact, I have to admit.

I’m very often looking for some revealing expression on the face of subjects on the street. Something that reveals what I may see that someone else might not see that I can maybe photograph as proof or evidence that it exists. But somehow the combination of this natural spotlight on the faces of subjects combined with some moment of human vulnerability revealed on those faces seems to me to be over the top. It works great for this other photographer, but it wouldn’t feel right to me.

I find it works better for me in order to isolate a person or group but more from a distance where it may be something about their posture or circumstance or a gesture that I find interesting. I don’t have a lot to say about this all right now. But I hope the pictures have something to say to you.

These are all shot on film. Leica M7 with either the Zeiss 50 1.5 Sonnar or the Leica 35 2.0 Summicron ASPH

Thanks for looking.

db

2 comments

    1. Thank you, John. A lot of this comes from just setting the exposure for direct sunlight and finding yourself in situations where you have mixed light and frankly getting lucky in terms of subjects.

      Thank you

      db

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