I have some photographic experience with the Boys & Girls Clubs here in the Los Angeles area, they provide a wonderful and oh-so important group club foundation for kids who we all know very much need it.
A few years ago the WNBA and Jamba Juice partnered with the Boys & Girls Club of Santa Monica for a kid’s fitness awareness event and I was privileged enough to photograph it with my two film Leica cameras, the M7 and the M6 TTL. Film is a gas. The kids were great! Hope you enjoy the photo mosaic!
But more than that, I hope you follow the links below and vote for the Los Angeles Center of Photography’s grant application to teach photography to the Boys & Girls Clubs here in LA.
I did it!
It was easy. “Join” with your Facebook or Twitter account. I’ve only met Julia Dean once but it was very clear how down-to-earth and personable she is and I can’t think of a better person to teach photography to kids in LA.
If you haven’t heard….
The Los Angeles Center of Photography has applied for a $100,000 grant to help teach LA’s Boys & Girls Clubs photography. To win the grant requires votes from friends of both photography and kids!
More from the LACP:
There are 51 proposals in our category and right now, we’re in 20th place. We must be in the top 10 for a chance to win. (The committee selects the winner from the top 10.) Our proposal outlines a yearlong photography program in LA’s Boys & Girls Clubs. The grant is meant for non-profits with projects that will help create a better LA, now and in the future. VOTING ends on November 3.
PLEASE VOTE!!! It will take only five minutes. Here is how to do it:
1. Go to: http://www.LA2050.org
2. Hit the hot pink tab that reads VOTE IN THE MYLA2050 GRANTS CHALLENGE
3. Choose a Submission Category (Our proposal is under CREATE)
4. Now you have to sign up. Signing up is easy. See the top right corner of the LA2050 home page, where it reads, “Join.”
5. Then find our project (you will see a picture of me in a classroom with the Boys & Girls Club kids) and VOTE for LACP’s proposal!
6. You will then get an email confirming your vote. (This may take up to an hour to get this, so don’t fret.) You have to click on the link in this email to confirm your vote.
I think images should require something from the person who is looking upon them. A photograph doesn’t or shouldn’t have to be obvious in order to be something that holds some value. I think this image could be taken as an example of that. I don’t want to say much more about the picture itself. It either makes a statement to you or it doesn’t. It made a statement to me.
Now it has a sequel. The top image was shot almost a year ago and was taken with the Zeiss 50mm Sonnar 1.5. I think the color representation of that lens is evident in the image. That lens is just stellar and classic. The second image, the one at the bottom of this post, was taken with the Leica 50mm Summilux 1.4 ASPH, and I think the color signature of that lens is also amazingly evident in this shot.
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Getting back to some Leica photography. The date has been announced for the annual Fashion’s Night Out 2012 and it is September 6th.
Sooo… this entry today here at 50lux.com has a triple purpose.
First, I would like to give Leica and other lowlight shooters a heads-up to the coming FNO extravaganza, Vogue Magazine’s world-wide phenomena and to let you all know that this very impressive event is probably coming to a city somewhere near you.
It’s an incredible opportunity to get out and photograph great style and beauty and all in the vibrant colors and exact low-light conditions where our super-fast Leica glass really shows its stuff.
Second, of course, I want to showcase my own humble efforts in that regard from last year. All the images you see here were shot on film, with my trusty M7. Mostly with a Zeiss 50mm Sonnar f1.5 mounted, but there’s more than a few with the Leica 35mm Summicron 2.0 ASPH. Also shot mostly Kodak 800 Ultramax film but I also put a couple of rolls of TMAX 32oo through the M7 which I will post in a few days.
But now, and thirdly, I’m also going to turn my attention to a gentle constructive review of the event itself with the hope that this critique will find whomever might be in the organizing group planning this year’s festivities in Beverly Hills, where the FNO event I attended took place. You’ll get an idea of why I would want to get this into their hands if you read on.
Okay, right up front I should say that my attending last year’s Fashion’s Night Out in Beverly Hills event was for the sole purpose of shooting some frames of fast film with some even faster Leica and Zeiss glass mounted on my M7.
But I’m a critical sort. So in between trying to catch some of the most beautiful women I’ve ever seen in my camera’s viewfinder, I did manage to cast a critical eye towards the event itself.
First, I think it’s a great idea. I’m a photographer. I love beauty and fashion. I have no connection, however, with the beauty or fashion industry as a photographer, or in any other way except as a admiring male who doesn’t leer from behind a camera.
Much. Come on, I am perfectly capable of taking a great picture of a beautiful woman without leering. In theory.
Anyway, I didn’t attend the event in 2010 so I have no reference point to compare 2011 with the previous year. But I was surprised at how little there was actually going on at this event on the very premier boulevard of shopping and fashion: Rodeo of Beverly Hills.
Not to be overly critical, but I expected many small continuous fashion shows outside of some of the major trendy stores. A little more effort from the big fashion houses. An appreciable media presence. A few big names.
Pretty much nothing like that here. There was a set up for a fashion show, so maybe I was late. Got there at 8:00 and the event was scheduled till 10:00. Stores were pretty much an indoor thing, just like any other day. Except this was night.
There was a makeover area which was certainly busy. A street portrait artist working in charcoal, I believe. Food was supplied by a handful of not very interesting food trucks. People were lounging on the curb eating.
At one or two of the stores, there was an actual doorman allowing entry to only, I supposed, an invited few. Nice touch there as some pretty fancy Beverly Hills wives were turned away. Ouch. I have pictures of that.
I’m sorry, BH. I just think this is a great idea that should be done with a little more attention to class and detail and results. The number of people in attendance clearly demonstrated that there is an appetite for this type of event right there on Rodeo Drive.
Come on, Beverly Hills, you can do much MUCH better than this.
That said, please enjoy the pictures.