photography

Listen Up!

Going to try something much different here in the name of artistic freedom. I’m going to post mostly single frames whenever the mood strikes me, and whenever I find them. This allows me to a) better take advantage of the technology now available on my iPhone with Lightroom CC and the WordPress app and b) to breathe.

Seriously. I think this is going to work much better for me and I’m betting there’s a lot of you who came to this place long before me. Great example is this shot here. I might have held up posting this image, literally forever, because I might not have had any other images to post with it as a set.

Or I might have struggled at the time I saw it with a title so I wouldn’t post it and then it would become lost in the thousands of images in my library. Now I can take better advantage of my usually, but not always, dependable spontaneity.

As I always say, Good Luck to Me! (Okay no, I’ve never said that.)

Cheers and thanks to all of you who visit here!

db

Nikon at the Playboy Mansion

To mark the passing of Hugh Hefner I’m reposting this from years gone by. RIP Hef. Lord knows you’d need some rest by now. 😉

So let me tell you the story.

I get a call from a BET producer on a Friday night asking if I can go shoot an event for her at the Playboy Mansion the next night. It might come as a surprise to most people but the Playboy Mansion is the site of innumerable charity functions. I’d been up there before. Swam in the grotto pool. Blah blah blah.

But never, slow my rapidly beating heart, had I ever been there with a camera and a press credential.

So of course, I say yes! The problem, however, is that at that time in my life my health was absolutely miserable. So when the next day dawned blisteringly hot, I was both sick and apprehensive.

To get to these things at the Playboy Mansion you have to shuttle over. Actually they’re full-sized buses and you usually depart from a giant multi-level parking garage somewhere else on the Westside of Los Angeles. That was the case when I had my significant and dubious girlfriend of over three decades drop me off at the parking garage.

And I was still feeling very bad. And it was hot as Hades. I gave her strict instructions to be ‘on call’ cell phone on because I knew there’d be a long wait in a smothering parking garage and that I’d probably bail even before the first bus departed.

That was at 5:00 pm west coast time. Girlfriend didn’t hear from me again until near 1:00 am, when she found me lying on the sidewalk where she left me, drenched in sweat, with an absolutely stupid semi-permanent smile plastered on my half-crocked visage.

Yes. I was there a LONG time. I went through three or four different types of event photography all in one night. Red carpet. Long lens daylight candids. Available lowlight shooting. Standard event flash photography with the SB-800 and the 24-70 f2.8 Nikkor.

Lot of great stories. Met a lot of great people, believe it or not.

A pair of young female reporters for an online publication that covers charity events hooked up with me on the bus over. I guess this is when you know you’re getting old and harmless as a guy and maybe just a little pathetic. One of the girls was LOVELY. For a lot of the evening she carried my heavy camera back pack around for me. Are you kidding me? Nice girl, definitely not from L.A.

At one point in the dusky part of the early evening, after sundown but when there’s still some light in the air, and of course there’s plenty of lighting at the event, a heavily geared up Canon shooter came up to me while I was shooting with the 70-200 f2.8 Nikkor. This is in the early days of the D3. He was very irritated with me for some reason and he says, “You know you’re not getting anything with that lens in this light?”

That was right around the time the picture at the top of this post was taken. And this one.

I’m linking to a Flickr slideshow of the images that ended up being used not by BET but another publication. They might appear a little soft in the slideshow as they are only 800x on the long end. It’s the entire gallery of ‘safe’ images.

But I’m also including below a definitevly NSFW slideshow of images that have never been seen by anyone but myself. These are of body-painted girls and when I say NSFW I really mean it! These are not your father’s body-painted naked girls here.

It’s the Playboy Mansion. What’d you expect?

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What We’re Talking About When We Talk About Light

Apologies to Raymond Carver. Reposted from the early days of 50lux.com

Leica M9, 35mm f/1.4 SUMMILUX-M ASPH FLE

I think of the best stuff when I’m half asleep. It’s called hypnagogia and I’ve got a bad case of it. I’m not alone, apparently, as a New York Times article pointed out late last year and as Wikipedia establishes as encyclopedic fact.

Many other artists, writers, scientists and inventors — including Beethoven, Richard Wagner, Walter Scott, Salvador Dalí, Thomas Edison, Nikola Tesla and Isaac Newton — have credited hypnagogia and related states with enhancing their creativity.

I’m intending to capture some of these fantastic creative thought processes that trot through my mind when I’m half asleep for the purpose of bringing them back alive and showing them to the world here on 50lux.com. It won’t be easy. Not many things are when you’re half asleep. Nature of the beast. More on all this later. But let’s start off with an example from today.

There’s nothing more annoying than some snobby-sounding photographer going on about Light. I chase after the Light. I live for the Light! I’m always out looking for the Light. I’m a Light chasing stalker of the Light.

Light, that fickle temptress, has taken out a restraining order on me!

You know the type. Butterflies and rainbows all around them. They shoot Leica but, of course, they could do just as well, maybe better, with a piece of cardboard and a tiny hole punched in it for a lens.

Never mind too the 14-year old future supermodels that seem to prance through lush meadows all around them, stopping only for the occasional extreme closeup on the sun-speckled perfection surrounding bee-stung lips.

What does any of that matter?, the light snob would say. It’s all about the Light!

Okay, let’s go there. Because as annoying as these people are, they just might be on to something. Pictures might lie, but not that much when it comes to the role of light making a great picture.

First let me say that my goal here, because I want to help myself to be a better photographer, is to learn along with anyone who happens to be reading this blog. So that some day, some glorious sunshiny day, we might all be just as annoying to others as these people are now to us.

It is important to have goals. Let’s get to work on achieving them.

Leica M9, 40mm 1.4 Voigtlander Nokton

Think of the world not as a place made up of things or solid objects to be photographed, but instead as a place where light exists.

You see what I’m talking about when I’m talking about half-asleep thoughts? Thank you and good night, ladies and gentlemen. Let me repeat it.

Think of the world not as a place made up of things or solid objects to be photographed, but instead as a place where light exists.

Because light in an infinite number of variations certainly does exist in this world. It shines down upon, through, wraps around, bounces off, backlights, highlights, dapples, washes over, peeks through, reflects off of, illuminates, obscures, virtually everything in this world and all of that enters into our consciousness, or DOESN’T, which is what we’re trying to correct here, through our eyes and through our lenses onto the plane of film or sensor we’re using to capture it all for posterity.

Light has so many different colors and shapes and effects upon whatever it touches or is near that it’s far beyond the scope of this blog post to even go into any of that. And it’s not important for the ideas that I’m trying to solidify in my own creative mind to try to address any of it at this time.

This post here on 50lux.com is more about what we all can maybe derive or benefit from in the form of an internal tweaking of our perspectives on light as it exists all around us and in our photography.

The important thing to keep in mind about light is that it can be as easily photographed, and as easily sought out as a subject to be photographed as a flower, a snow-capped mountain, a beautiful woman, or anything else that people almost instinctively point their cameras at before hitting the shutter release.

As you probably remember, like me, from reading it somewhere, whenever you take a picture, you really are only photographing reflected light anyway. Why not make a concerted effort on light’s behalf?

So now try it! Go out and, instead of looking to photograph mere things, solid or liquid objects of the Earth, as an ongoing exercise for your photographic eye and mind look past all that stuff and look only for light, wherever and in whatever form that you find it. Take pictures of that light. Make pictures from it.

Leica M9, 50mm f2 Summicron-M

If you’ve ever asked yourself or anyone else what’s the best way to radically change how you see as a photographer, then this is what I would suggest. Stop looking for and at everything around you as subject-objects, and instead allow yourself to look for and see only light.

Forever?, you might be asking. No. And then again, YES! Absolutely. Because we are talking about change here and hopefully permanent change. Some of us are always looking to change or open up our vision as photographers.

For now I suggest maybe working without your camera and going through your day looking past objects and people that you would normally focus your attention on and trying to see only the light and thinking about what you’re seeing wherever you do find light.

One of the first things you will discover is how incredibly easy this all is. You’ll be surprised. The change will be immediate. Your nose, as a photographer, will start to rise up into the uppity upper air involuntarily as you yourself become yet another annoying light snob. Phrases like I seek light wherever I can find it will roll off your tongue with the same highbrow snobbery of Grace Kelly in a 1950s Hitchcock film.

Go for the light and don’t come back empty handed!

Leica M9, 40mm 1.4 Voigtlander Nokton

Help The Los Angeles Center of Photography Improve Kids’ Lives! 

Photo by Julia Dean

The Los Angeles Center of Photography has applied for a $100,000 grant to help teach LA’s Boys & Girls Clubs photography. To win the grant requires votes from friends of both photography and kids!

More from the LACP:

There are 51 proposals in our category and right now, we’re in 20th place. We must be in the top 10 for a chance to win. (The committee selects the winner from the top 10.) Our proposal outlines a yearlong photography program in LA’s Boys & Girls Clubs. The grant is meant for non-profits with projects that will help create a better LA, now and in the future. VOTING ends on November 3.

PLEASE VOTE!!! It will take only five minutes. Here is how to do it:

1. Go to: http://www.LA2050.org

2. Hit the hot pink tab that reads VOTE IN THE MYLA2050 GRANTS CHALLENGE

3. Choose a Submission Category (Our proposal is under CREATE)

4. Now you have to sign up. Signing up is easy. See the top right corner of the LA2050 home page, where it reads, “Join.”

5. Then find our project (you will see a picture of me in a classroom with the Boys & Girls Club kids) and VOTE for LACP’s proposal!

6. You will then get an email confirming your vote. (This may take up to an hour to get this, so don’t fret.) You have to click on the link in this email to confirm your vote.

More on the proposal from Julia Dean:

About our proposal: I set up the curriculum and began our one-year program at the Variety Boys & Girls Club in Boyle Heights on Jan. 14, 2015. I teach every Wednesday afternoon. We have completed the basic, portraiture and street shooting class so far. The documentary class began last week. The plan is for each boys & girls club to document their own community and exhibit the work at LACP. Our first exhibit — from the Variety Boys & Girls Club — will take place in February 2016. There are 26 clubs in LA County. We hope to implement our program in all of them, once we raise enough money.

Source: Help Us Improve Kids’ Lives. Please Vote for LACP!