urban landscape

Cream Colored Cadillac, Petersen Automotive Museum

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Through the Strikethrough

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Very interesting article on the current realities of racial segregation in housing choices in the New York Times. Don’t miss the 1000+ comments either.

Affluent and Black: And Still Trapped by Segregation

MILWAUKEE — Their daughter was sick and they needed family around to help care for her, so JoAnne and Maanaan Sabir took an unexpected detour.

They had spent years blowing past mileposts: earning advanced degrees and six-figure incomes, buying a 2,500-square-foot Victorian with hardwood floors. Yet here they were, both 37, moving to a corner of town pocked by empty lots, cramming into an apartment above Ms. Sabir’s mother, in the very duplex that Ms. Sabir’s grandparents had bought six decades earlier.

Their new dwelling was in a part of the Lindsay Heights neighborhood where more than one in three families lives in poverty; gunshots were too often a part of the nighttime soundtrack. They planned to leave once their daughter, Ameera, was healthy.

But then, reminding them of why they feel at home in communities like this one, their new neighbors started frequently checking on Ameera: Is she doing O.K.? And on their son, Taj: When’s his next basketball game? Mr. Sabir’s car stalled in the middle of the street one night, and it was the young men too often stereotyped as suspicious who helped him push it home. So many welcoming black faces like their own, they thought.

“It felt like that’s where we should be,” Ms. Sabir said.

Weekend Forecast: More May Gray in L.A.

More old Nikon street photography. Not as old as most of the stuff from last week. These were from the Nikon DSLR days. D70, D2Hs, my favorite, the almost disposable (I had two) D80, the mighty D3, and the D700. Oh, and in there somewhere was a D200. 😉

Gestalt Moment (Detail)

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Crop from the image that launched my own moment of recognition here in California by the Los Angeles Center of Photography. The uncropped version of this shot was selected to appear at the LACP’s first juried Member’s Exhibition.

This is almost an example of photography that you can barely take credit for. lol. Who can claim to have created something that depends so much on the fact that this woman bought this jacket at some moment in her life probably years before I even bought the camera that took the picture.

How much does the image depend on the fact that this lady decided to wear this jacket on this day and be just at that very moment stepping from the sun into the dark shadow of a doorway? So the shot is almost a miraculous piece of luck.

That said, I think this crop captures the gestalt effect more perfectly than any photograph I’ve ever seen. I can’t take any responsibility for that because I’m sure it wasn’t my intention to make an image of that sort. I saw colors and contrast and a good subject and that was it until I looked at the image later.

Anyway. Hope you enjoy this! Thank you all for visiting!

On the Sunset Strip

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More Long Forgotten But Not Gone Pictures