Very excited to learn that the above image, Gestalt Moment, won a spot in the Los Angeles Center for Photography’s first Juried Member’s Exhibition that will run from July 11 – August 12. Over 800 images were submitted and 50 were selected.
I set out to do a number of things in terms of street photography when I embark into the city to make my images. I don’t go out with a single project in mind but after so many years of shooting in Los Angeles I know there are a number of things on the spectrum of possibilities that I can hope to find and document.
This image actually represents a number of those things. First and foremost I think what my photography is about is that it’s psychological. That’s certainly a matter of perception and right or wrong, true or false, I attempt to make images of that which I perceive to be happening in the lives or minds of my subjects. There are certain psychological states which I look for that would be reflected in things like facial expressions or body language and gestures.
This is, of course, extremely subjective. Can I tell what people are thinking by the look on their face? No? Maybe? Sometimes? Does a photograph lie? Of course photographs can be misleading and can seem to show something entirely different from the reality of any situation.
Personally, I’ve never cared too much about the answers to those kinds of questions in relation to my street photography. It is not reportage or photojournalism. I think some of the images selected by Robert Frank for The Americans are possibly very misleading moments. But they advance his narrative and that’s what matters more than the notion that he took a specific image when the moment and time and place were all so oppressively pregnant with the exact point he was attempting to make with his book about America.
Detachment is a theme and a human condition I attempt to capture when I’m shooting street photography. Social detachment. Emotional detachment. Temporary detachment. Literal, metaphorical. I’m open to whatever I can find. Detachment was the unifying theme of the six images I sent in to be considered for the exhibition at the LACP.
Alone, elderly, downward aspect to her gaze, body language that’s slouching away from the world, literally disappearing into a darkened doorway, there’s enough evidence of social and emotional detachment here that I would hope I don’t have to discuss that element in this post or it would end up being 10k words.
Another thing I hope to do, and rarely accomplish, is to tell my little real or imagined social and psychological stories without actually showing someone’s face or revealing their identity. Two of the images I sent in accomplished that and this was one of those.
That’s for both artistic and just very practical reasons but to some extent there are ethical considerations as well. It’s not an easy thing to do by any means. But I can almost feel the exhibition juror looking over street photographs by me or any number of other photographers and (with a sigh of relief) being inclined to choose images that don’t reveal the identity of any human beings. It’s like an ‘ah’ moment. Yes! Thank you! These aren’t legal concerns, maybe, but any number of lesser worries are avoided. So there’s that.
Then there are, it is hoped, things that you cannot plan for or take any credit for whatsoever. The gestalt aspects of this photograph represent nothing less than a once-in-a-lifetime occurrence.
To be the photographer who goes into the world seeking out something like this, spending his or her hours searching for opportunities that would, when photographed, represent examples of gestalt? God, I think I’d rather sell my cameras and start a disco band. That’s just not who I am as a photographer.
To those who might not know of gestalt theory or perception. As simply as I can state it, it is a combination of elements, dots, shadows, lines, that taken by the MIND in total, form or represent something other than those elements, dots, shadows, lines, etc.
In this image, you only see this woman’s hat and hair really. A purse strap. It is really the red, yellow, and blue polka-dots on her jacket, and the blocking of light by her legs which tells you her shape, her posture, etc. Those elements allow your mind to ‘see’ the human form of the woman.
That those elements, captured at this moment, reveal her body language, a gestalt perception that to me forms in the mind an expression of her detachment, one of the many things I seek to photograph with my cameras and lenses, is simply off the charts good fortune.
As part of the process of participating in this exhibition and having an image featured I’ve been asked to set a price for this photograph. I think it’s worth $1M. But I don’t want to sell myself short so I’m thinking of asking five. 😉
Thanks for looking!
Thank you, Teela!
Enjoyed this capture. May good fortune continue your way!
Thank you, Eric! A fortune would be nice. Good fortune is even better. 😉
Your photography is amazing, much better than I co with my smart phone. Congratulations!
Thank you! I’ve had a lot of compliments in my day, but this was one of them. 😉
Thank you, Maurizio!
Congratulations on your work being chosen. I enjoyed reading your process and purpose. I’ve never given a great deal of thought to how much like writing photography is, that your images seek to convey a story or moment through a well chosen and captured moment. I suppose I thought it was luck and judgement. Both of those must come into it I daresay but I can see better the reasoning behind the moments chosen. Thanks for sharing that. I will understand better, I hope, why you choose certain images over another. Again, congratulations. This is a fine photo – so much very appealing within it.
Thank you! I would say more but I’m not really awake yet. 😉
Reblogged this on 50'Lux and commented:
A reblog from last summer. Hoping for similar news to report in a few weeks as the second LACP juried member’s exhibition images are selected.
just superb !
That’s really nice to hear. Thank you so much.