
Let the Sunshine In






We were scheduled to fly to Chicago this past weekend.
My plan, in tribute to the newly discovered street photography icon Vivian Maier, was to shoot in black and white and to post only images here cropped to a perfect square, the format produced by the reclusive nanny’s apparently very trusty Rolleiflex. (Although the above image shows Maier taking a self portrait with a Leica M.)
Unfortunately, we all caught a cold here in the big house and were forced to avoid a long flight and the shock of actually being in the Windy City at a time when temperatures there would be in the 20s. We stayed, as the song says, safe and warm in LA and shot the images you have seen (one of) and will see on 50lux in the coming days.
Little did I know, because nobody tells me anything, (wink here) but this was to be a big weekend anyway in the posthumous yet ever burgeoning career and legacy of this now very important photographer and practitioner of a type of photography that I feel so connected to.
The biggest news is that there is a film that premiered last fall but is just now being released and in theaters entitled “Finding Vivian Maier,” … due in some cities last Friday actually. Certainly it won’t be at the nearest mall’s cineplex outside Dayton or Altoona and I’m doing my best to find it here in Los Angeles and will go before it’s quickly yanked.
Here is the trailer.
The release of an actual film, of course, has made a nice ripple in the national media and here are also three excellent write-ups in the New York Times, New York Post, and Slate.
Enjoy, street photographers. It’s a rare moment that none of us will ever likely experience in our lifetimes. Although in Vivian Maier’s case that appears to be, in great part, by the artist’s own design.















No great shakes here. More like a feeling. All these images were taken this past Saturday and Sunday. Seems to me that LA has shed the tourists and the holiday spirit and settled into itself once again. It’s a colder place than it was a month ago. Anyway, there’s a lot of shots. I do try to give anyone who visits here their money’s worth.
I left the last image, the stunning blonde sitting at a distance in the cafe , so that the image can be clicked on and examined at a larger resolution. It’s not a great or meaningful photograph. I posted it because I find it amazing sometimes what unlikely things you can do with a Leica pressed flat against your face. Thanks for looking!

Vivian Dorothea Maier was an American street photographer, who was born in New York City and spent much of her childhood in France. After returning to the United States, she worked for approximately forty years as a nanny in Chicago, Illinois.
During those years, she took more than 100,000 photographs, primarily of people and cityscapes in Chicago, although she traveled and photographed worldwide.
Two years before she died in 2009 at age 83, the eccentric and brilliant amateur photographer forfeited ownership of the contents of the storage lockers in which she had kept truckloads of negatives, prints and other materials.
The contents were quickly auctioned for a pittance to several collectors and “resellers” who found they had made the discovery of a lifetime.
The contents of Maier’s collection included more than 100,000 negatives that charted her hitherto-private career as a superb street photographer who focused mainly on vignettes of New York and Chicago.



Not a lot to say here. Just my tribute to the decision by CVS to stop profiting from the sale of this most dangerous of product lines at their pharmacies. All Nikon shots. Deep in the L.A. street.

This guy has good form. Feet shoulder length apart. Arms loose at his sides. Get it, buddy!

No, really. What are friends for?

So glad I never had kids.

I read somewhere that every great photo, and I’m not suggesting the above photo is great, but that it is said that there’s something just a little weird about every great photo. That’s all I’m saying. 😉

Ditto.

Okay, at least he’s not hovering over my lunch. Yet.


I think images should require something from the person who is looking upon them. A photograph doesn’t or shouldn’t have to be obvious in order to be something that holds some value. I think this image could be taken as an example of that. I don’t want to say much more about the picture itself. It either makes a statement to you or it doesn’t. It made a statement to me.
Now it has a sequel. The top image was shot almost a year ago and was taken with the Zeiss 50mm Sonnar 1.5. I think the color representation of that lens is evident in the image. That lens is just stellar and classic. The second image, the one at the bottom of this post, was taken with the Leica 50mm Summilux 1.4 ASPH, and I think the color signature of that lens is also amazingly evident in this shot.
I call the color I get from my 50’lux ‘comic book color’ and I mean that as a high compliment, although some people have taken issue with that characterization. I think you can see what I mean by that description, however, by looking at this image in comparison to the Zeiss image.
The 50’lux does the most stunning job of slapping an abundance of the primary colors all over the film plane. I love it. I’m addicted to it. I’ve never seen anything like it. And I couldn’t live without it at this point. 😉
Both were taken with (shhhh!) Walgreens 400 ISO film. Light was much different, though. The first image was taken in sunlight, and the second was taken after the sun was down behind the buildings. Aperture opens up and everything here in Los Angeles at that time is bathed in a fantastic blue glow, I’ve always imagined because of the close proximity of the mighty Pacific.
My plan is to shoot more images like this that are attempting to make statements (even if only to me) that express the humanity of my subjects and hint at some of the complexities of their lives and their predicaments and the costs of their struggles as shown on their faces.
There are so many cliches surrounding the largely Mexican American immigrant base in California and the United States.
I’m not expressing a political perspective with what I hope to be an ongoing photographic project. But the Hispanic population, their families, their contributions, and their various ‘roles’ in what makes up Los Angeles is so complex that the cliches and the level of understanding around the country of their presence here amounts to an affront to true cultural understanding.
Being Mexican in Los Angeles, or El Salvadorian or Guatemalan, be it as an illegal or as a someone born of legal immigrants, with rare exception, is to live a life that makes you collectively part of the cheap labor engine that enables so many of the rest of us here to live crisp clean unburdened lives. Los Angeles is a story that is built, not just historically, but every single day, upon the labor of this population base.
There is a flip side to this story, of course, which is the effect that having such a massive cheap labor population base made up of one ethnicity has on other, even American-born, ethnicities. But these pictures can only tell the story that they tell, and it is, I think, an important one to tell.
Thanks for looking, and long live FILM.



Good lighting and exposures are very important. Color and proper focus are both critical. That’s all. lol. Okay, just kidding. But you didn’t REALLY think I wasn’t going to make a defense of street photographers taking pictures of kids who aren’t theirs, did you?
I originally published this about a year and a half ago and it met great controversy when I posted a link to it over on DPReview. Some people threatened my physical well being. Or at least it seemed that way to me.
In the interim, the state of California actually implemented a law last year preventing celebrity hounding paparazzi (not judging, I’ve sold many celebrity images via a celebrity photo agency and some of them were surreptitiously taken) from taking images of the children of, you guessed it, celebrities.
First, let me say that I’m just a little appalled that celebrities have the power to win the passage of special laws that benefit only them. That you can trot a couple of lovely weeping actresses like Halle Berry and Jennifer Garner out in front of the state legislature and get a law protecting only their children is kind of an outrageous proposition.
But I was also relieved to find out that it did only apply to them and their children. Sort of a dichotomy I guess you could call it. I’d thought of ranting and raving against the passage of the law and hounding the governor of California, Jerry Brown, to refuse to sign off on it but, honestly, on the one hand, I’m not supportive of the idea that children of celebrities should be targeted by a stalking paparazzi. That is unacceptable.
But had that law included ALL photographers, and made anyone taking images of children in a street photography situation law breakers for doing so I would have been even more outraged. There is a price of celebrity and that price should be paid by celebrities and not free citizens doing what photographers have had free license to do since the advent of photography.
Anyway. Here it is. I can only give you my answer to the question of whether or not it’s okay to take pictures of other people’s children, in public, with no permission from anyone. It is the answer that I’ve come up with that applies to me. Every single person reading this has to come up with an answer that works for them and please don’t take anything I’m writing here as legal advise or even suggestions as to what you should or should not be doing with your cameras or with your lives.
The only immutable law, I would suggest, is that you’d better be taking pictures of kids for good reasons and with the best intentions. And there are many and you have a right to those reasons and intentions. (as far as I’m concerned. Not necessarily according to the law or customs where you happen to be located. Or not. See what I mean? Me neither.)
Children tell stories, with their expressions, their body language and gestures, in an unfiltered and psychologically complicated way that adults very often don’t. And you have a right to grab those stories and record them on film or a digital camera sensor when and wherever you find them. (But don’t hold me to that statement as legal advice. I’m not a lawyer and it is not legal advice or guidance.)
The image at the top here is one of my favorites. There’s a lot of information in this shot. You have what would appear to any resident of Los Angeles to be visitors from somewhere else. It is summer and probably this is their vacation together. It is a family with three lovely daughters sporting matching outfits.
Their parents obviously take great pride in their brood here and it appears that two of the girls might be twins. The third, standing off to the right, seems a year or so younger than her sisters. That she’s wearing the same outfit nevertheless seems to indicate this family feels a desire or need for a certain degree of family conformity. I’m not passing judgment. I would probably be looking for three of everything myself if they were my children.
Mom looks like she’s ready to take a picture herself which further indicates to me that this moment, here on an icky sticky Santa Monica sidewalk, represents some holiday memory that must be preserved forever. Seems like they may have just gotten out of their rental car.
But kids are scary scary things and a set of three like this would give me nightmares if I was their father. You have three beautiful daughters, you dress them alike to show how much pride you have in your family. But then there’s the one with the broken arm to remind you how delicate and fragile your precious family is and how precarious and elusive will be your grasp on their lives for the rest of your own.
The second shot is a collection of three individuals connected by something technically invisible, meaning you can’t see a wire or a string or a discharge of energy like a lightening bolt or anything like that, but that is there nevertheless and is probably stronger than just about any physical connection could be. Love and adoration and maybe, again, family, sisterhood; this time it looks like a loving grandparent.
I like to say that I take pictures of things that a lot of photographers don’t typically set out to photograph. Things that are happening inside a subject’s head that are maybe very subtly represented by other things happening on the outside of their head or in their gesture or posture or physical relationship or interaction with other people in the photograph.
This picture is an example of what I mean by that.


The stately old dude has his admirers. Or one of them, anyway.



Well, as we can all see (I hope) there’s been some changes around here.
I’d been meaning (why am I talking like a Downton Abbey character?) to experiment at some point with changing the theme but I have to say, the Chunk theme was (and maybe will still be) an amazing look from which to present my photography. I just needed something clean and elegant (at some point in my life 😉 ) and this WordPress blog and that theme gave me a great lift and I’m not sure at all that I won’t change right back to it after just a few days.
But… you know… the images were small. And in order to see the images in any proper display you had to click on them and load them individually. This new theme style ‘Suit’ shows the images at a much larger size and they’re also sharp at that resolution, something that could not be said for the way they displayed in Chunk.
There was something off in the color in the header area of Chunk that was or seemed to be impossible to fix. Whatever. I still love the elegance of that theme and it may be back before most anyone knows it was ever given a day or two off. Anyway. Let me know, if you feel like it, what any of you think of the new look around here. I actually hope to make more material changes as well as just cosmetic but that’s for another day.
As always, thank you for visiting!
I’m a notoriously long-winded writer. Believe it or not, it’s true. And when I say notorious, I’m not kidding or exaggerating. I could bring 200 people who know me online here to attest that for most of the last 20 years, in our circle, I have been known as the KING of long-form internet diatribes.
I thought I’d be continuing that tradition here on my own damned blog, but curiously, that hasn’t been the case. And I have so much to say about photography. You have NO idea precisely how much I have to say about photography. But with every example I see of some other blogger pontificating about photography I’m driven deeper and deeper into a shell that, believe me, NOBODY knew I had. Except me.
I’m not minding it at all though. I’m having a ball. I feel freer than I have in many decades. I’m feeling that my street photography is in a pocket right now. I’ve never been more in control and capable of producing exactly what it is that I want to produce with my camera. Yes I want to do many other things this year with my camera and without it but right now I’m extremely content to communicate my vision through the street photography images that I’m making and showing here.
Thank you for visiting and I hope the trip here is more often than not worth your trouble.
db
Time to revisit some of my better efforts that were posted before anyone knew this place was here. Hope you all enjoy them and thanks to smilingtoad and Vincent Bolly for reminding me of this by liking to all these many months later.

About ten years ago we had some family come out for a week or so. On their last day here we needed to run them down to Union Station in downtown Los Angeles because, adventurers that they are, they were taking a train out of town. Okay.
So to get there, we decided that we’d take them up Broadway, something we did once or twice a month on our way to Chinatown for some Sam Woo’s Barbecue Restaurant, probably the best Chinese I’d ever eaten up till that time.
Anyway, Broadway, is a trip all its own. And this busy hot Saturday was busier and hotter than most days we’d taken the drive. This is a part of L.A. that doesn’t look like L.A. at all. It looks like New York City, but in another era, certainly in another century. It is the home of a historic commercial and theater…
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But everything about this subject reminds me of a figure on the cover of one of the old school books that inhabited the attic of our house in my childhood. I loved those books. Somehow, when I was actually in school, books weren’t nearly as interesting. In fact, they weren’t interesting at all. I mean really. Not. Interesting. 😉
But this stoic woman’s posture, leaning forward, her left arm laying across her body, bracing her stance against… well… the wind from a passing Bentley maybe, her other arm securing a back pack (my imagination, it’s probably a Michael Kors handbag), her hardy countenance, etc.
Maybe it’s the time of year. Me thinking about the coming year and all the possibilities and plans I have for 2014. Making my own adventures in the new world a reality. All those things.
Anyway.
Happy New Year!